Esta vez les traigo esta gran banda de Thrash metal. Links: 1983 - Show no Mercy 1984 - Haunting the Chapel (EP) 1985 - Hell Awaits 1986 - Reign in Blood 1988 - South of Heaven 1990 - Seasons in the Abyss 1991 - Decade of Aggression 1994 - Divine Intervention 1996 - Undisputed Attitude 1998 - Diabolus in Musica 2001 - God Hates Us All 2006 - Christ Illusion 2006 - Eternal Pyre (EP) 2008 - The Noblest Blood (B-Sides & Rarites) 2009 - World Painted Blood 2013 - B-Sides & Rarities 2015 - Repentless Mas discografias en mi canal: Quieres ayudar el canal para mas contenido, ayudame con patreon te lo agradecere de corazon:) Espero les guste:).

's first two full albums, 1983’s Show No Mercy and 1985’s Hell Awaits, were landmarks in thrash metal. They were more brutal, sinister and explosive than albums released around the same time by or and they pushed the envelope with bloodcurdling growls and Satanic lyrics that paved the way for both death and black metal. Still, it was Slayer’s third album, Reign in Blood, which came out Oct.

7, 1986, that took the band to a new artistic and commercial plateau, and became a benchmark for thrash metal. Other thrash bands at the time were releasing epic, 50-plus minute albums full of abrupt rhythm and tempo changes and semi-clean vocals and Slayer saw a gap. They were already the heaviest, most extreme thrash band, now they had to opportunity to win the speed war, prove they were as talented as they were fast, and exit the exhibition of precision carnage less than 30 minutes after they began. “We wanted to blow the lid off of everything we and everyone else had already released,” guitarist told me in 1997. “It was like we were saying, ‘Oh, you think that’s heavy? Well, check this out.’ A lot of times when I’m working on something the only think I’m thinking about is how crazy the crowd is gonna get when they hear it live.

People start chanting and then the pit starts up. If I was in the crowd, I know that’s what I’d be doing, so I just picture 500 people doing that.” Before Slayer began recording Reign in Blood, Metal Blade owner Brian Slagel, who realized he didn’t possess the resources or distribution to enable Slayer to blow up, started negotiating with other labels to release the album. Radioperedatchik shema instrukciya. The one that seemed the most promising was Def Jam Recordings, which was founded by hip-hop pioneers Russell Simmons. The team helped make stars out of Run-DMC and LL Cool J and Rubin convinced Slayer they would be the priority rock band at the label and Rubin himself would produce the album. Sold by Rubin’s enthusiasm Slayer wrote a batch of rapid, hardcore-influenced tunes brimming with tight riffs and fierce metallic crunch.

Rubin told Slayer they had complete creative freedom for the record so they stretched their boundaries and wrote their most direct, scathing and violent lyrics to date. They attacked religion (“”), sang about sadistic murder (“”) biological warfare (“”) and the occult (“,” “”) “We’ve always been the bad guys,” King said. “Lyrically, we write about s--- no one else will write about. We branded ourselves the bad guys ages ago. I don’t mind that. It’s better than singing about posies.

Welcome to my site, here you can find all the music discographies completes to direct download, each artist has a link to a torrent file, just click and start download with. Widely considered the pinnacle of speed metal, Reign in Blood is Slayer's. The album almost single-handedly inspired the entire death metal genre (at least.

That’s who I see in a movie. I’m always rooting for the bad guys.” Guitarist wrote one song for Reign in Blood that was musically unimpeachable but lyrically the most controversial song in Slayer’s catalog – “.” The song recounts the horrific experiments of Nazi physician Josef Mengele in morbid detail. And while it doesn’t endorse Mengele’s exploits, the aggressive lyrical delivery by vocalist was widely misinterpreted.