Quarter Wave Box Calculator 21
A transmission line loudspeaker is a loudspeaker () that uses an within the cabinet, compared to the simpler enclosures used by sealed (closed) or designs. Instead of reverberating in a fairly simple enclosure, sound from the back of the is directed into a long (generally folded) damped pathway within the speaker enclosure, which allows far greater control and use of speaker energy, and the resulting sound. Inside a transmission line (TL) loudspeaker, is a (usually folded) pathway into which the sound is directed. The pathway is often covered with varying types and depths of absorbent material, and it may vary in size or taper, and may be open or closed at its far end.
The most common example of a loudspeaker that relies on a quarter wavelength acoustic standing wave is a transmission line enclosure. This style of loudspeaker has been on the fringe of the audio mainstream for many years with just a few smaller companies building and marketing this enclosure design. Quarter-wave transmission line speakers employ enclosures that are tuned to provide low-frequency extension for the speaker driver. There are several types of transmission line enclosures and one of the more popular ones is the mass loaded transmission line (MLTL). Basically, an MLTL is a quarter-wave transmission line enclosure with a port.
Used correctly, such a design ensures that undesired resonances and energies, which would otherwise cause undesirable auditory effects, are instead selectively absorbed or reduced (') due to the effects of the duct, or alternatively only emerge from the open end with the sound radiated from the front of the driver, enhancing the output level ('sensitivity') at low frequencies. Rukovodstvo po ekspluatacii nissan h trejl t32. The transmission line acts as an, and the padding both reduces reflection and resonance, and also slows the speed of sound within the cabinet to allow for better tuning. Transmission line loudspeakers designs are more complex to implement, making mass production difficult, but their advantages have led to acclaim for a number of manufacturers such as,, and the like. As a rule, transmission line speakers tend to have exceptionally high fidelity low frequency response far below that of a typical speaker or, reaching into the range (British company TDL's studio monitor range from the 1990s quoted their frequency responses as starting from as low as 17 Hz depending upon model with a sensitivity of 87 dB for 1 W @ 1 metre), without the need for a separate enclosure or driver. Acoustically, TL speakers roll off more slowly (less steeply) at low frequencies, and they are thought to provide better driver control than standard reflex cabinet designs, are less sensitive to positioning, and tend to create a very spacious.
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Modern TL speakers were described in a 2000 review as 'match[ing] reflex cabinet designs in every respect, but with an extra octave of bass, lower LF distortion and a frequency balance which is more independent of listening level'. Although more complex to design and tune, and not as easy to analyze and calculate as other designs, the transmission line design is valued by several smaller manufacturers, as it avoids many of the major disadvantages of other loudspeaker designs.