Contents • • • • • • • • • • • • • • Recording career [ ] Solo albums [ ] Gambale graduated from the in Hollywood with Student of the Year honors and taught there from 1984 to 1986. After graduation, he played the jazz club circuit with his own band. In 1985, his first album,, appeared on Legato Records, which was owned by Mark Varney, brother of, the founder of. Gambale signed with in 1989 as part of a five-album agreement and released, the following year.

The Frank Gambale Technique, Bk 1: The Essential Soloing Theory Course for All Guitarists, Book & CD (Manhattan Music Publications) Dec 1, 1993. Recommend Documents. Frank Gambale - Guitar Sweep Picking. Guitar sweep picking technique. The Frank Gambale Technique Book 1.

In 1998 he started his own record label, Wombat Records, after purchasing his Legato discography with the intention of reissuing it himself. A live double album, Resident Alien – Live Bootlegs, was released in 2001, along with Imagery Suite; a duet featuring classical guitarist Maurizio Colonna. He released on, a record label owned by guitarist. In 2004, he released, through Wombat Records, his first album to be self-released. Groups [ ] With the Mark Varney Project, consisting of,, and, he recorded two albums, (1990) and (1991).

Beginning in 1987, he spent six years as a member of the, playing with,,. With Corea's band he recorded five albums and shared two Grammy Award nominations. He spent twelve years as a member of, led. He reunited with the Elektric Band in 2002 and with Corea in 2011 when he joined Return to Forever IV with,,. Teaching [ ] Gambale has been head of the guitar department at the Los Angeles Music Academy. He joined the Isina mentorship program as head of the guitar department in 2014. During the next year, he started an online guitar school.

Razlinovka lista a4 dlya pisjma. In 1988 he published Monster Licks & Speed Picking, the first of many instructional videos and the first book to be written on and, two popular guitar techniques. Technique [ ] Gambale has become identified with. His interest grew out of a desire to transcend the physical limits of the guitar and borrow from other instruments, such as the piano and saxophone.

One advantage of the technique is that it allows him to. He can also approximate the way are played on piano by using his invented, the Gambale Tuning, in which 'the whole guitar is tuned up a, but the top two strings are down an ' (A, D, G, C, E, A, low to high).

Custom models [ ] produced the Frank Gambale Model (FGM) signature series guitars, modeled after the. Through 1999, four models were produced: FGM100, FGM200, FGM300, and FGM400. Also manufactured a signature guitar, the AES-FG. Gambale currently plays semi hollow artist signature. Influence [ ] Gambale has been featured on the covers of many guitar and jazz-orientated magazines worldwide, while having been cited as an influence by many notable guitarists including,,,. In a 1991 interview with magazine, guitarist stated that Gambale was one of his favorite players at the time, stating, 'My personal favorite lately is this guy Frank Gambale, who's been playing with Chick Corea for the past couple of years.' Retrieved 2012-01-23.

• Gilbert, Mark (2002). 'Gambale, Frank'. In Barry Kernfeld. The new Grove dictionary of jazz, vol. New York: Grove's Dictionaries Inc. • ^ Hallebeek, Richard (20 October 2001). Richard Hallebeek.

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Retrieved 23 January 2012. • Monk, Laurie. Truth in Shredding. Pp. 13 June 2010.

Retrieved 4 July 2010. • ^ Yanow, Scott (2013). The Great Jazz Guitarists. San Francisco: Backbeat. • Fox, Darrin (1 April 2010). Guitar Player. Retrieved 23 July 2017.

• Michael Molenda (23 August 2006). Retrieved 2014-08-17. Archived from on 8 January 2014. Retrieved 17 August 2014. All Out Guitar. 29 August 2006.

Retrieved 2014-08-17. • Henke, James (31 October 1991)..

Retrieved 27 June 2016. External links [ ] • •.

This is an excellent book for anyone who is serious about learning to play guitar. Gambale breaks everything down into chord types. Minor 7, major 7, unaltered dominant 7, altered dominant 7, minor 7 (b5), diminished. He attacks each chord type with several soloing approaches. He lists and gives examples of appropriate modes, arpeggios, pentatonics that can be used over that specific chord type. This book also comes with a CD containing samples of each exercise as well as a couple short songs that Gambale has put together. I’m not a big fan of the effects he uses while playing the exercises, but it doesn’t really take anything away from the learning experience.

If you can get a chance to get a hold of this book you should give it a chance, but know that it will take some serious time and experimentation to make these theoretical ideas come out of your guitar as music. We also have the second book from the series –. Both Frank Gambale Technique Book I & II are essentially studies of five different improvisational approaches to tackle a particular chord type, namely: scale, pentatonics, arpeggios, triads, intervals. As such, Frank presents a wide range of harmonic possibilities on improvisation, based upon which the intelligent student can construct meaningful solos when these music elements are internalized. Note that in those two books there is a large amount of materials to digest, however a solid understanding of these materials is fundamental to jazz improvisation. The aspiring guitarist is urged to seek ways, from other sources, to build lines once these improvisational elements are digested.